South Pacific
July 6–12 Your Enchanted Evening Awaits.
Performance time 8:15 p.m. nightly
One of Broadway’s greatest musicals, Rodgers & Hammerstein’s sweeping American classic returns for its first Muny production since 2013! On a lush island during World War II, Navy nurse Nellie Forbush falls for charismatic French planter Emile de Becque — only to question her own assumptions when she meets his children. South Pacific is a galvanizing story with powerful themes and some of Rodgers & Hammerstein’s greatest songs, including “Some Enchanted Evening,” “There Is Nothing Like a Dame” and “I’m Gonna Wash That Man Right Outa My Hair.” Discover the joy, heart and timeless melodies of this legendary masterpiece.
Music by Richard Rodgers • Lyrics by Oscar Hammerstein II • Book by Oscar Hammerstein II & Joshua Logan • Adapted from the Pulitzer Prize-winning novel Tales of the South Pacific by James A. Michener
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William Carlos Angulo
Director
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Karla Puno Garcia
Choreographer
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Roberto Sinha
Music Director/Conductor
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Connor Schwantes
Associate Choreographer
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Arnel Sancianco
Scenic Designer
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Raquel Adorno
Costume Designer (with some costumes originally designed by Catherine Zuber)
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John Lasiter
Lighting Designer
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Joshua Hummel
Sound Designer
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Yee Eun Nam
Video Designer
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Ashley Rae Callahan
Wig Designer
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Ralph Stan Lee
Production Stage Manager
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The Telsey Office, Rachel Hoffman, CSA
Casting
Cast
PAULO SZOT
Emile de Becque
received Tony, Drama Desk, Outer Critics Circle and Theatre World awards for his Broadway debut in South Pacific at the Lincoln Center Theater and an Olivier nomination for the same production at the Barbican, London. He was born in São Paulo and studied at the Jagiellonian University in Kraków, Poland. Other work in musical theatre: My Fair Lady, Candide, Chicago (Sao Paulo); Evita (Sydney, Melbourne, The Muny); Chicago, & Juliet and Hadestown (Broadway); Here We Are at Royal National Theatre (London). Opera: 10 seasons with the Metropolitan Opera; collaborations with La Scala, Paris Opera, Teatro Real (Madrid), Bayerische Staatsoper, Canadian Opera, Washington Opera, San Francisco Opera, Opera di Roma, Opéra de Bordeaux and Opéra de Marseille. Concerts: multiple collaborations with Chicago Symphony, New York Philharmonic, New York Pops, American Pops, OSES, Barcelona Symphony and Philadelphia Orchestra. Albums include Jardim Noturno and Broadway cast recordings of South Pacific and & Juliet.
TAYLOR LOUDERMAN
Ensign Nellie Forbush
is a Tony-nominated actress, educator and philanthropist, best known for originating the role of Regina George in Broadway’s Mean Girls. She made her Broadway debut leading Bring It On: The Musical and went on to star as Wendy in Peter Pan Live! (NBC) and Lauren in Kinky Boots on Broadway. Favorite Muny credits include Chess (Svetlana Sergievskaya), Aida (Amneris), Grease (Sandy), Hairspray (Amber), Kinky Boots (Lauren) and Muny Teens. Her TV credits include series regulars on NBC’s Kenan and Nick Jr.’s Sunny Day, as well as roles on The Good Fight (CBS), Evil (CBS), The Loudest Voice (Showtime) and High Maintenance (HBO). Beyond performing, Taylor co-wrote a teen musical, Pitch In, now being performed in middle schools nationwide, and founded the nonprofit Write Out Loud Project, which supports emerging musical theatre songwriters. She is a proud St. Louisan and arts advocate.
JOAN ALMEDILLA
Bloody Mary
is a Filipina American Broadway artist, returning to The Muny. Most recently, she collaborated with director William Carlos Angulo on CTG’s LA premiere of Here Lies Love as Aurora Aquino; she debuted as Imelda Marcos at Carnegie Hall. Best known for her Broadway debut as Kim in the original production of Miss Saigon, Joan was the first AAPI actress to play Fantine on the national tour of Les Misérables and starred as Lady Thiang in The King and I, directed by Tony Award winner Bartlett Sher. Additional credits include Master Class, Mamma Mia!, Jesus Christ Superstar, Passing Through, Chess, Songs for a New World and Assassins. Television credits include Griselda, Mayans M.C., Pam & Tommy, Bupkis, New Amsterdam and Shatter Belt.
MICHAEL CANU
Lt. Joseph Cable
makes his Muny debut. Most recently: Romeo in the first national tour of & Juliet. Graduate of the Cincinnati Conservatory of Music.
BOBBY CONTE
Luther Billis
Previous Muny: Frozen (Hans), Paint Your Wagon (William), 1776 (Edward Rutledge), Jersey Boys (Bob Gaudio), Les Misérables (Enjolras). Broadway: The Who’s Tommy (directed by Des McAnuff), Company (directed by Marianne Elliott), A Bronx Tale (directed by Robert De Niro and Jerry Zaks). NY theatre: My Fair Lady (directed by Michael Arden); Starting Here, Starting Now (directed by Richard Maltby Jr.). Regional: Kennedy Center, Goodman Theatre, George Street Playhouse, Two River Theater, McCarter Theatre Center, Cleveland Play House, Paper Mill Playhouse. Film/TV: If Beale Street Could Talk (directed by Barry Jenkins), Lou (upcoming), Intervenors, Unbreakable Kimmy Schmidt, Madam Secretary, The Code. As a concert artist, Conte has sung with the National Symphony Orchestra, Carolina Philharmonic and as Tony in Oakland Symphony’s West Side Story. His debut solo album, Along the Way, is available on Broadway Records. Training: University of Michigan; RADA.
MICHAELA MARFORI
Liat
is an Orlando native making her Muny debut. Broadway: West Side Story (OBC). National tour: MJ The Musical, Disney’s Frozen. Other select stage credits include Eurydice (Metropolitan Opera), A Chorus Line (Manila). TV: Emmy-winning opening number at the 76th Tony Awards, Saturday Night Live, Disney Parks Magical Christmas Day Parade.
ROBERT CRENSHAW
Stewpot
From his early training and performances at COCA and CVPA, to appearances with The Black Rep and other St. Louis theatre companies, Robert has built a dynamic career that now includes two Broadway national tours (Ain’t Too Proud and The Wiz). A St. Louis native and 2007 Muny Kid, he makes his professional Muny debut. He recently produced and directed the CVPA Relief Showcase, uniting the St. Louis arts community to raise funds in response to the school tragedy.
JOHN EL-JOR
Professor
is a Drama Desk- and Lucille Lortel-nominated actor known for his work in Mean Girls (Paramount), We Live in Cairo (NYTW) and American Idol (ABC). Additional film/TV credits include The Outlaws (Amazon Prime), Elsbeth (CBS), FBI: Most Wanted (CBS), The Family McMullen (Warner Bros.) and Pavements (NYFF/Venice FF). Off-Broadway: The Lesson (Ars Nova), Hip Hop Cinderella (New Victory Theatre), Slanted! Enchanted! (Sheen Center), Rough Trade (The Public), SIMPS (IRT Theatre). Additional projects: Tell Them I’m Still Young (New York Stage and Film), Untitled … Hunter S. Thompson Musical (La Jolla/NYSAF), Come From Away (Paper Mill Playhouse), Shook (Northern Stage), Pump Up the Volume (ATF), Purple Rain (NYC Tier 3), Nikola (NYC Tier 3). He holds a BFA in musical theatre from Penn State.
MICHAEL JAMES REED
Capt. George Brackett
Fourteen years of Muny appearances, including last year’s turn as older Tommy in Jersey Boys and past favorites Chicago, 1776, Fiddler on the Roof, Tarzan, West Side Story and Gypsy. St. Louis audiences have seen him frequently at The Rep, recently in Emma, Sherwood and August: Osage County. With St. Louis Shakespeare Festival, Michael has appeared in more than 10 productions, including Love’s Labor’s Lost, Romeo & Juliet, Henry IV and Henry V. NYC credits include La Bête (Broadway), King Lear (Roundabout), Amphitryon (Classic Stage Co.) and A Forest in Arden (New York Theatre Workshop). Regional: Old Globe, Pasadena Playhouse, Alley Theatre, American Conservatory Theater, Paper Mill Playhouse, South Coast Rep. Favorite TV: Numb3rs, 24, Six Feet Under, The Shield, King of Queens, That ’70s Show, Chicago PD. Graduate of Guildhall School of Music & Drama in London.
JEFF CUMMINGS
Cmdr. William Harbison
makes his Muny debut. St. Louis credits include The Tempest, Rosencrantz & Guildenstern Are Dead and Love’s Labor’s Lost for St. Louis Shakespeare Festival; Million Dollar Quartet, Clue and Beautiful for Stages St. Louis; Million Dollar Quartet Christmas, Oslo and Hamlet for the Repertory Theatre of St. Louis; and Behind the Sheet, Hold On and Wedding Band for The Black Rep. Select regional credits include Brutus in Julius Caesar at Utah Shakespeare Festival; Phileas Fogg in Around the World in 80 Days for Indiana Repertory Theatre; and Berowne in Love’s Labor’s Lost, Jack Worthing in The Importance of Being Earnest, the Duke of Suffolk in Henry VI, Parts 1 and 2, and more in seven seasons with the Oregon Shakespeare Festival. Jeff is also an Audie Award-winning narrator with recorded works by Dean Koontz, Philip K. Dick, Gore Vidal and Mark Twain.
GRACE MOORE
Ngana
was last seen on the Muny stage in Les Misérables (Young Éponine) and as a member of the Youth Ensemble in Disney’s Frozen. Grace also performs with the Muny Kids troupe. She was recently seen in Junie B. Jones (Grace) at her school. Grace is 12 years old and sings with her school choir. She studies dance at Performing Arts Centre and is a member of the competition team. Grace trains in voice with Kelly Stinnett Studios and Amelia DeMayo.
JOSIAH PAIK
Jerome
makes his Muny debut. A rising sixth-grader in the Ladue School District, he has been a member of the St. Louis Children’s Choir for three years. Josiah has studied piano for six years and viola for three. When he’s not making music, he enjoys playing baseball with St. Louis Impact, speedskating with Gateway Speedskating Club, reading and cheering on the Cardinals.
Creative Team
WILLIAM CARLOS ANGULO
Director
returns to The Muny, where he has directed/choreographed In the Heights (Theater Circle nomination, choreography) and choreographed Jersey Boys, Little Shop of Horrors, Legally Blonde and On Your Feet! Wiliam has directed new works at LCT3, Steppenwolf LookOut Series, JAW New Play Festival, Ars Nova ANT Fest and Joe’s Pub at The Public Theatre. He is co-creating two new musicals — Out There (Portland Center Stage) and David & The Apocalypse (Borderlands Arts, The UrbanX). Other directing: In the Heights (TUTS); Seussical (Marriott Theatre); Bernarda Alba (Syracuse Drama); and Natasha, Pierre & the Great Comet of 1812 (NYU Tisch). William is the co-founder and artistic director of Borderlands Arts and the director of education for Dance Lab New York. He co-created the musical theatre program at the Goodman Theatre and was an original instructor for Broadway Across Borders. Proud member of Stage Directors and Choreographers Society and the Alliance of Latine Theatre Artists.
KARLA PUNO GARCIA
Choreographer
is the first woman of color to choreograph for the Tony Awards (2023), earning her an Emmy. Recent: A Chorus Line (director/choreographer, Theater Group Asia); Romy and Michele The Musical (off-Broadway); Days of Wine and Roses (co-choreographer, Atlantic Theatre and Broadway); The Connector (MCC); Tick, Tick … Boom! (Toho Productions); Senior Class (Olney Theatre). Her work has also been seen in Power Book III: Raising Kanan (Starz); Tick, Tick … Boom! (Netflix); Gone Missing (Encores! Off-Center); Other World (Delaware Theatre Company); Somewhere (Geva Theatre); Rent (Theatre Aspen); Noir (Alley Theatre); In the Heights (Virginia Rep, Artsie Award for choreography). Performance: four Broadway shows, including Hamilton; two national tours; So You Think You Can Dance (Fox); Smash (NBC); Annie Live! (NBC); and more. BFA in dance, minor in journalism, NYU Tisch.
ROBERTO SINHA
Music Director/Conductor
Current: Music director of Hamilton. Broadway: Chess; Real Women Have Curves; Hell’s Kitchen; New York, New York; Kinky Boots; It Shoulda Been You; Violet; Bullets Over Broadway; Big Fish. Tours: Hamilton (Philip Tour), Kinky Boots, Elf, Cinderella. Selected: Spelling Bee (Kennedy Center); Dear Evan Hansen and In the Heights (The Muny); Galileo (Berkeley Rep). Education: MFA, Penn State; BM, Florida State.
Rodgers & Hammerstein’s South Pacific is presented by arrangement with Concord Theatricals. concordtheatricals.com